Preview: SLOUP #23: The Science of SLOUP

When dealing with the promise of projects, the free-flow of invention, and the creative output that made the likes of Theaster Gates famous in the St. Louis community, a patron has to wonder: Who feeds the starving artist? Who is it that promotes the physical manifestation of an idea, and who is it that promotes this creativity that often leaves the wunderkind with a full stomach?

The answer for St. Louis’s creative type is SLOUP: a monthly Sunday congregation of artists, art lovers, and those who want to make art happen in St. Louis. A Sloup event consists of several applicants proposing future projects for an audience who will then vote for the winner of the night’s raised cash money. The micro-grant comes from the $10 cover that includes a dinner of soup and bread. Hence, the event’s title: Sloup.

Typically, the lot gathers around local establishments like Fort Gondo, the CAM, and Pig Slop. However, this month’s event will be held in many private locations, with a different host per locale. These locations are encouraged to explore a variety of inter-personal identities.

“In terms of talking about the open sites, it’s important, I think, to emphasize that having your own personal sloup at home with a friend is as meaningful and useful and creative as hosting an open Sloup or attending an open Sloup,” notes Sloup co-creator Maggie Ginestra.

This month’s Sloup is an opportunity to experiment with the Sloup format to gain participants. “We are hoping by having multiple dinners in the same nights will allow more populations to participate with greater ease and aid in attracting new applicants and attendees. Team Sloup is looking to grow up and out this year. Francesca Wilmott from Los Caminos is working with us now – this month seemed like the perfect time to be brave and try this experiment,” adds fellow creator, Amelia Colette Jones.

The results of their experimentation stem from the participation of the Sloup host. Each host will be able to retrieve the same array of proposals by printing what is provided on the Sloup website. The host will then invite some people over, feed them soup, collect $10 from each person in attendance, read the proposals, and cast a vote for the best idea.

Each host is responsible for creating a post-Sloup package containing (as listed on Sloup’s official blog):

**
post-Sloup packet contents
1. a list of participants & their email addresses (& any extra documentation!)
2. the recipe or story behind the soup
3. all ballots (or a tally if your Sloupers voted together)
4. $10 per ballot (or per vote in tally)
5. process notes from your Sloup based on these 7 questions:
-What drew you to hosting and what were your plans or hopes for your Sloup? How did it play out?
-Describe your Sloup’s dynamics (i.e. host/guest, dinner/proposals, etc).
-Describe the discussion and voting process regarding the artists’ proposals.
-What were some successes and challenges of hosting your Sloup? Any supreme moments, surprises, major issues, small awkwardnesses?
-Would you host a Sloup again? Why or why not? What elements would you keep or change?
-If you have attended Sloup before, compare your Sloup to others. If your hosting experience was your first Sloup, what do you now expect from future Sloups?
-After hosting a Sloup, do you have any advice for Sloup as it moves forward?
**

If you are an artist interesting in having your proposal in this month’s Sloup, e-mail a one-page of text detailing what you are making, how you’ll make it, when will you make it, what is your timeline, and what is something that you have heard or seen about making art that you have embraced to sloup2122@gmail.com. You have until the Friday before the event to submit.

And, finally, if you are interested in attending this month’s Sloup, look for host sites to be posted on the blog. Sloup’s on Sunday, January 29th from 6 PM to 8 PM.

DID YOU KNOW: January is the official international month of soup? Why not celebrate this glorious substance by becoming involved in a participating Sloup cite. Already the idea of sharing arts projects is infiltrating the world of Chesterfield and Ferguson!

This entry was written by Blair Stiles, posted on January 22, 2012 at 6:32 pm, filed under News, Upcoming, What's Going On and tagged preview, sloup. Leave a comment or view the discussion at the permalink.

Preview: SIUE Battle of the Bands

It’s a long standing musical tradition that at one time or another, bands must quit this brotherly love bull-hooey, and get busy with some serious sibling rivalry. A battle ensues, guitars get smashed, amps get broken, bottles of Jamieson get thrown, someone calls the fire department…or that’s at least how I would picture a proper Battle of the Bands. Not to say that won’t happen, but we at Eleven just hope for some good ol’ pure rawk rivalry. After all, we’re sponsors and don’t want the liability.

As for interested bands, applicants have been chosen, so you are too late to apply. Look for this battle to become annual as the prizes are substantial, enough to fix your tour van that keeps making that bizarre clinking sound every time I drive it to FOAM for a latte…

If you’re looking to go, expect a pretty high bar to be set for bands who are competing. First prize is $800, second place gets $350, with third place landing $150. Ask anyone in a band: That’s money to fight for.

Hosting the war battle is SIUE as part of a series of Campus Activity Board events. The carnage commences at 7pm, Friday, January 27th, at the MUC Meridian Ballroom.

Participating bands: The Ashland Project, The Madison Letter, Faraday, Primary Colors, Soccer Moms, The Broken Hands Band, Mouthbreaker, and Tear Down These Walls.

This entry was written by Blair Stiles, posted on January 13, 2012 at 12:03 pm, filed under News, Upcoming, What's Going On and tagged preview, siue battle of the bands. Leave a comment or view the discussion at the permalink.

What’s Going On: 1/12 – 1/15

With all these songs caught in my mind, and me being desperate for a reprieve, I can’t help but ponder what’s going on this week!

Thursday, January 12th

//1//

It must be said, that a community is nothing without collaboration. In order to let teamwork and community prevail, members of this community must work together in order to form a concrete whole. In St. Louis, we have a rather large network of musicians willing to work together and bring to our ears unique projects that illustrate the beauty and genius of STL’s brightest music minds.

Yankee Racer is the brainchild of musicians Aaron Greber and Riley Meek. Gathering multiple local artist, Greber and Meek created an album of the collaborative sounds of local musicians, many stretching with maximum dexterity in genres outside of their comfort zone to bring an interesting disparity to the tracks that comprise the album Doulogue.

Friday, January 13th

//1//

South City has plenty of uncharted territory in terms of nightlife. Often the red-headed step child of St. Louis, South City is normally bypassed on the weekends in favor of its neighbor, Tower Grove . An underrated source of decent venues and cheap booze, South City is charming, hospitable, and a little dirtier than most would like to admit.

Invest a night visiting one of South City’s best bars, The Heavy Anchor. Known for its Hemingway meets nautical decor (completely with framed photos of the ex-patriot author), The Heavy Anchor is slowing building up steam toward becoming South City’s most venerable bar-venue. Stop in to see local indie-rock outfit, Fight for Midnight. The lead singer, Mr. Leif Johnson, has an issue with believing he’s a better singer than he actually is and ever will be, yet when he coasts within his range, and utilizes his esophagus, not nasal passages to produce sound, the band comes together with a pretty and promising sound.

Also playing are Mona Grooves and Highway Heat. Show starts at 9. $5.

//2//

Blending intelligent humor with sentimental alt-folk singer song writer aesthetics, Todd Snider effectively weaves factual tales of the Billy the Kid kinda antics of D.B. Cooper, with the realism of a frat-boy laden late night beer run.

The Portland native and Nashville based singer plays The Sheldon. 8 PM. $15 – $25.

//3//

With album tracks christened “Poop”, “Masturbate”, and “Cheetos, why the hell would you not want to check out the punk outfit called Stinkbomb? Apparently conscious of the issues plaguing uneducated modern punk-rock, Stinkbomb maintains a cantankerous and humorous approach to their lyrics’ subject matter. Never do they delve into tricky, sometimes pretentious topics like politics or corporate fuckery. Stinkbomb keeps it real. Really real. Like bowel movement real. The music carries with it a void in the realm of “noise”. Never cacophonous, always aware of rhythm and timing. Stinkbomb is an interesting band worthy of your time.

See ‘em at Fubar.  Doors at 7 PM. Free show.

Also playing: SCENE OF IRONY, GANG CONTROL, THE BASEMENT, PETCOCK, Captain DEE & THE LONG JOHNS, ALL THINGS AQUATIC, SNOOTY & THE RATFINKS, AL BUNDIE’s ARMY, LEFTOVERS, 431, and VIVISECTIDE.

Saturday, January 14th

//1//

Pay attention to the shirt, not the melancholy expression on his little pre-pubescent face.

The Hibernauts, easy-to-shimmy shimmy shake-to indie rock, may have a peculiar marketing strategy (see the ennui victim above), but can definitely brighten up an other-wise overcast sky. Honest, bittersweet, and antagonistic lyrics manage to covet the spotlight on tracks like “People Better Than You”. While “Throwing Rice” is a colorful allusion to the musicianship starry-eyed  brit-indie pop bands like The Kooks.

Catch them at Off Broadway with Kishi Bashi. Show at 9 PM. $8/$11.

//2//

Jack Buck might make your ears bleed. But, maybe you shouldn’t be such a wuss and just handle it like a man. Coward is all instrumentals, all the time (as a voracious proponent for Fantasia, this sounds sweet to meeeee). Magic City incorporates a Leonard Cohen/Lou Reed style vocal delivery with tepid Strokes-esque arrangements for a surprisingly complete and intriguing sound.

Catch all three at The Heavy Anchor at 9 PM. $5.

 //3//

The Heartbreakers Rock and Roll Saloon might not be the most well known and it might not be where one would expect a band like Steepwater to play (I mean, how many more T&A themed bars does this world need?), but Chicago bred Americana-rock n’ roll troupe The Steepwater Band doesn’t seem to mind. After opening for the likes of The Black Crowes, Wilco, and Gov’t Mule, The Steepwater Band is in town to play a benefit show with the proceeds going to help Steve and Shaunna Eaton. Doors open at 8 PM. $5.

Sunday, January 15th

//1//

Local psychedellic alt-indie rockers, Troubadour Dali, are getting in the swing of this residency idea that’s spreading through St. Louis. First it was So Many Dynamos at Foam. The band’s last record, Let’s Make It Right, sounded like a hybrid between a lucid version of Grandaddy and, what Scotty says is, Brian Jonestown Massacre. I agree. But, don’t take my word for it. Seriously. Do not take my word for it. Just go see them this Sunday, fo’ free at Off Broadway. Show starts at 8 PM.

Correction: Troubadour Dali’s first residency at Off Broadway was 2 years ago.

This entry was written by Blair Stiles, posted on January 12, 2012 at 1:49 pm, filed under News, Upcoming, What's Going On and tagged 1/12 - 1/15, what's going on. Leave a comment or view the discussion at the permalink.

Preview: Tommy Hartung and Uri Aran at White Flag

In anticipation of the joint exhibit of Tommy Hartung and Uri Aran, Eleven decided to send some questions to the man in charge, White Flag Project’s, Matthew Strauss. Like he asked, these inquiries and replies are without omissions and without editing for content.

Eleven: How did you come to find Tommy Hartung and Uri Aran?

Matthew Strauss: I first encountered Tommy’s work at the Greater New York exhibition at PS1. His film “The Ascent of Man” was something I wanted to show at White Flag and I put it in a group show called Impossible Vacation (MoMA actually just bought that film…) We started talking about a show of his work at that point. I was aware of Uri Aran’s work, but really it was Tommy’s idea to bring in Uri for a more or less collaborative show. They’ve known each other since grad school and have a very close friendship.

11: What is the theme of the exhibit?

MS: The nature of these two really great young artists’ exchange with one another.

11: Where is it you find a median between the work of Tommy Hartung and Uri Aran? Hartung is a filmmaker and Uri Aran arbitrary utilizes a vast breadth of approaches and mediums for his found sculptures. It seems like this could lead to either a disjointed exibit or an exciting experiment in the cohesion of two different mediums.

MS: They both make films, they both make objects, they help one another with their separate work… it’s really not about finding a median as much as it is about letting these two great friends and great artists try something out. It’s just about their relationship and the relationship of their work, and then my faith in them as artists.

11: In Aran’s last work, there where over 80 artists participating who effectively collaborated to create a distinct vision. Where your choices influenced at all by Aran’s participation in Commercial Break?

MS: That’s actually not my understanding of how Commercial Break was conceived if we’re thinking of the same thing- I think that was just a really disjointed bunch of videos Neville Wakefield put together for Venice that was supposed to go around with a big screen on a boat or something, right? Anyway, I don’t think those films added up to much aside from a good party in Italy. In any case I didn’t even notice Uri was in it- everyone was talking about the video with Lindsay Lohan that Richard Phillips made.

11: In reference to Tommy Hartung’s latest film, Tommy Hartung’s Budget Guide to New York, how is it that St. Louis artists could learn from Hartung’s film?

MS: That’s actually not one of his films- that’s something PBS’s Art21 did about him. I think the only thing a St. Louis artist could learn from that is that living in New York is not impossible, it’s just difficult and requires a lot more hustle and sacrifice than it does in St. Louis- but they probably already knew that.

11: Is there any local artist that you feel could make a pertinent film on how to make it in St. Louis as an artist? What aspects do you think he or she could focus on?

MS: There’s no such thing as making it as an artist in St. Louis… I mean I guess it depends a little bit on what one means by making it- an artist can survive here, make a living I guess. You can show your work and get a teaching job. But no artist is going to get work into MoMA hanging out in St. Louis. No one’s going to have Art21 following them around- for better or worse that’s just not how it works. If someone could make that film it would be pretty fucking impressive.

Thanks Matthew for clarifying the nature of Tommy Hartung’s Budget Guide to New York!

We’ll let the reader decide on the nature of the Commercial Break work. What do you think? Disjointed, cohesive, containing Aran’s work, or just plain lacking in the LiLo?

Who: White Flag Projects

What: New exhibit featuring Tommy Hartung and Uri Aran

Where: 4568 Manchester Avenue St. Louis, MO 63110

When: January 19 – February 18, 2012

Why: ‘cuz White Flag is dope and we all need to question the legitimacy of contemporary art as a reflection of our world.

This entry was written by Blair Stiles, posted on at 10:00 am, filed under Interview, Q+A, Upcoming and tagged Matthew Strauss, preview, tommy hartung, uri aran, white flag, White Flag Projects. Leave a comment or view the discussion at the permalink.

Friday the 13th: A Gory, Gory Get Down With “Glow”

This coming Friday at the Koken Art Factory happens to be one of the most terrifyingly awesome nights of the year thus far (and for a while to come, I’d imagine) as St. Louis booty shakers Drew Digital and Get Serious combine their darks powers, giving birth to ”Glow 2 - Gore In the Dark,” a horror themed, glow-in-the-dark dance party .   As the second iteration of “Glow” to hit town, this party promises to please by highlighting some of St. Louis’ most talented DJs and producers under the same roof.  Most notably, St. Louis native and Mad Decent signee Jay Fay will be pushing out some serious moombahton rumble, while long time South side boys Sweets, Tapes and Brandon B deliver their own delicious takes on house, disco and moombah-x.  Also making a headlining appearance will be St. Louis’ prodigal son of boogie, Kool Hersh, spinning a vast collection of funk, electro, disco, house, breaks and anything and everything else you can think of.  Not to be missed for a mere  $10.  Check the facebook event here, rsvp and get ready to get your feet bloody. 

This entry was written by Scott Trausch, posted on January 11, 2012 at 8:16 pm, filed under Upcoming, What's Going On and tagged dance, glow, horror, jay fay, koken art factory, kool hersh. Leave a comment or view the discussion at the permalink.

Preview: {Prologue} Release Party

In continuation of our Dec/Jan issue’s coverage of contemporary artist, Damon Davis, we bring you news of Davis‘s latest project, FarFetched. An independent music and art imprint, Farfetched is Davis’s brainchild comprising of forward thinking musicians, artists, and imaginative video artwork. Farfetched is celebrating its first record release, {Prologue}. A music mix comprising of the who’s who of upcoming local acts, {Prologue} is a preview of things to come. Gathering sounds from a breadth of genres, {Prologue} promises a preview that will highlight the strengths of its forward-thinking musicians whose work will be featured by Farfetched.

The acts featured will be: 18 and Counting, Adult Fur, Standing Sleep, Scriptz n Screwz, Thelonius Kryptonite, Helen Marie, Scrub, Whiteout, and Blank Generation.

FarFetched also incorporates other forms of art, such as the tactile. An example would be the installation from Matt Strom and Davis which will also be in attendance at the party.

You can catch the show, for free, January 20th. Festivities will commence within the space of 2720 (2720 Cherokee) with doors opening at 9 PM and music starting at 10 PM.

In addition to {Prologue}, FarFetched has begun a monthly musical podcast, BadTaste. Curated by a different musical mind each month, BadTaste will undoubtedly provide a curiously different aesthetic upon every listen. You can check out BadTaste‘s premier podcast by clicking on the graphic below:

Prologue Album Promo from Civil Ape on Vimeo.

This entry was written by Blair Stiles, posted on January 6, 2012 at 1:02 pm, filed under Upcoming, What's Going On and tagged damon davis, farfetched, preview, release party. Leave a comment or view the discussion at the permalink.

What’s Going On: 12/15 – 12/18

Hey everyone! As you finish up your finals or getting ready for an overdose of family for the holidays, you might be wondering what’s going on. Well, here are some options for you this weekend.

Thursday, December 15

//1//

I don’t really know where to begin with this graphic…but Black James, The Chill Dawgs, Ellen the Felon, and The Mattronome are in town!

Where: El Leñador

When:

How Much: $5

//2//

NastyNasty, Griz, Tekfro, Molecule = “Live Electronics/ Dub Step/ Bass Music“?

Um, YES PLEASE.

Where: 2720

When: 9PM

How Much: $10

//3//

CAM Night!

Laumeier‘s 2012 Composer in Residency, Eric Hall will be DJing under the pseudonymn, DJ Lil’ Daddy Reba McEntire.

Where: Contemporary Art Museum

When: 8 PM

How Much: $5

Friday, December 16

//1//

I have no idea who Dan Kelley is. His name makes me think “Used Car Salesman.”

Yet, the man can party.

Where: 2720

When: 7 PM

How Much: $10

Saturday, December 17

//1//

Need some X-mas gifts for your cronies/family/sig figs? Do go to the Old North Holiday Market. Everything from wood furniture (!!!) to jewelry will be available to buy. While you’re in the neighborhood, check out nearby shops like Closet Repeats, Poor Souls Society Art Gallery and Therapy Boutique for more options.

//2//

Let’s get real here: St. Louis is a sometimes a seriously pretty city. Part of her beauty is the brick architecture that studs homes throughout the city. Unfortunately, she’s just encrusted with the vandalism of apathetic denizens and burdened by a reputation that is in dire need of rehabilitating. Support STL by attending a screening of “Brick by Chance and Fortune“. The film centers around the history of brick-theft, neglect, and urban renewal, and the promise of a brighter future.

Trailer.

Where: The Historic Orpheum Theater at 416 North 9th Street

When: 3:30 – 6:30 PM

How Much: $10

//3//

And now, for your Saturday dose of music.

FOAM is hosting Union Tree Review, Bo and the Locomotive, Volcanoes, and The Mhurs tonight. After a full day, Foamoffers the perfect bands for a chill night accompanied by various libations.

Where: Foam Coffeehouse

When: 8 – 11 PM

How Much: No cover, but donation will be accepted.

//4//

It’s gonna be a busy night…

Ou Ou, Kid Counselor/Sean Brown and Corpse Kid at Pig Slop!

Where: Pig Slop!

When: 8 – 11PM

How Much: $5

//5//

And after that…you can “put your a$$ to work” as Bitch Please spins at El Leñador.

The femme fatales of Bitch Please are cited as, coming ‎”armed with graffiti, glitter, and a filthy collection of wax, and plastic designed to get you headed you toward a night of bad decisions fueled by Stag and dancing,”.

Sounds like a good time.

Where: El Lanador

When: 9PM – 1:30AM

How Much: FREE!

Sunday, December 18

//1//

Not content to kick it at home after a rowdy Saturday night on Cherokee? Prune, Dubb Nubb and Navigator are convening in South City for your aural pleasure (HA HA!).

Where: Lemmons

When: 6:30 PM

How Much: $5

//2// 

DJ Invisible Cola and Mike Stasny will be playing at the latest  SLOUP gathering. SLOUP is a monthly soup dinner that gives its profit to a local artist. Listen up for artist’s proposals and the opportunity to dance!

Where: Foam Coffeehouse

When: 7 – 11

How Much: $10

//3//

Fresh off signing with a major label whose name I could not recover from the abyss of internet lore, Alabama Shakes are bringing their soulful southern rock to the Old Rock House. Lead singer Brittney Howard sounds like a Janis Joplin condoning version of Dan Auerbach of The Black Keys…But better, younger, and disingenuously dangerous.

Where: The Old Rock House

When: 7 PM

How Much: $10

//4//

Karma is all parts-bookstore, gallery, publisher. They specialize in books about artists. Part of Karma’s charm is their special brand of sales. Installing pop-up stores to-and-fro, they effectively cast a capricious air to publication.

They also are shipping an enormous installation to White Flag. Multimedia neo-pop artist, Dan Colen is exhibiting his artwork in the White Flag Gallery this weekend.

Hailing from New York, this will be Colen’s first appearance in St. Louis.Part of Colen’s “Trash” series, the installation, consisting of materials varying from glass bottles to discarded posters, will hang from Thursday to Sunday.

Colen is part of an artist collective that calls, among others, photographer Ryan McGinley a member. Having been featured in a Karma pop-show himself, McGinley is most known for his voyeuristic aesthetic which utilizes stunned and stark composition of Larry Clark‘s Tulsa, to capture the naivety of his subjects who embody youthful splendor.

Colen’s work will be featured in the gallery Friday within the hours of  7-9, Saturday and Sunday from noon-5.

Where: White Flag Project, 4568 Manchester.

This entry was written by Blair Stiles, posted on December 15, 2011 at 11:15 am, filed under Upcoming, What's Going On and tagged 12/15 - 12/18, what's going on. Leave a comment or view the discussion at the permalink.

How to Spend Your Saturday Night: Violins to Vocoders

St. Louis is in for a great night, we have two pretty serious events going down one after another and less than half a mile apart – how can you lose?

Up first is a show put on by St. Louis’s New Music Circle featuring legendary experimental musician Tony Conrad at 7:30 at White Flag Projects (4568 Manchester).

“For nearly fifty years, experimental sound and visual performance artist, Tony Conrad, has been making drone music and short films that re-examine and re-invent their form, content and structure.

Conrad was one of the early pioneers of New York minimalism and deep listening microtonal music. He worked in 1962 on LaMonte Young’s “Dream Music” project with the likes of John Cale and Angus MacLise (both moving on later to form The Velvet Underground). Since then, he has remained the purest and most ascetic of the minimalists.

Violin has remained his trademark instrument, although he has also manipulated sound through electronics, studio techniques, and projects with various collaborators.”

_____________________________________________________________________________________________

After having your mind thoroughly blown by Conrad, talk a short stroll down to the Gramophone for Smoove,  a new dance party (with your’s truly getting it in on the 1s and 2s from 11-12) guaranteed to make you shake down the walls with a solid line up of disco, house, booty and moombahton.  Be prepared to get messy, though, because this is a glow paint affair, so plan your outfits accordingly – or just leave your outfit at the door, your choice.

This entry was written by Scott Trausch, posted on December 3, 2011 at 1:01 pm, filed under Live, What's Going On and tagged conrad, dance, disco, djs, events, experimental, gramophone, minimal, moombahton, new music circle, violin, White Flag Projects. Leave a comment or view the discussion at the permalink.

What’s Going On: 11/24 – 11/27

Is a baked bird celebrating the pummeling of Native American society really so dope, anyway? Eff that noise and hit up your local scene for an eclectic weekend void of smallpox.

Thursday, November 24th

//1//

The Cuban Missiles

Get served by a broad-shouldered and babe-tastic bartender and listen to the stellar sounds of punk rock outfits The Cuban Missiles, The Haddonfields, and the Disappeared. Mangia is pretty small, and the acoustics are pretty fantastic, expect to get consumed by rancorous melodies all night.

Times: 9PM

Tickets: FREE

Where: Mangia Italiano on Grand

Friday, November 25th

//1//

They recorded their album in 200 year old barn, rattle off quasi-existential lyrics and call West Plains, Missouri home. If Ha Ha Tonka was an author, they’d be William Faulkner. Additionally, KDHX reps them, and that’s as good a reason as any to peep their show.

Times: Doors 8PM/ Show 8:45PM

Tickets: $12 – $14

Opening Acts: Tommy and the High Pilots and Kentucky Knife Fight

Where: The Firebird

Saturday, November 26th

//1//

I want this poster in my bedroom. Um, what?

Plainly speaking, you’re an idiot if you haven’t listened to Harry Nilsson…ever. “Early in the Morning” is a gem, man. Nilsson is one of the best singers of all time. I know that, other people know that, and whether you do or you don’t know that, you need to hit up the What is the Point? A Tribute to Harry Nilsson this weekend. To elaborate on the event’s apathetic-sounding title, The Point! was Nilsson’s fable-tastic concept album revolving around Oblio and his intrepid dog, Arrow. Without points adorning their foreheads, the pair are ostricized for being different. Yeah, this is an acid-induced morality tale about acceptance, but all you need to know is that it’s brilliant. Also, it will be one of the definitive albums I’ll play my children over and over. But lest I digress, there will be a screening of The Point!‘s film, and bands like Theodore and Ransom Note will be covering some of Nilsson’s jams. Joining them will be Rats and People’s Motion Picture Orchestra, Old Lights and many more.

Times: Door 8PM/Show 9PM

Tickets: $10 if you’re 21. $13 if you’re a damn dirty minor.

Where: Off Broadway

//2//

If you bike, have biked, will bike, wanna bike…then listen up! Spoked STL and South Grand Delievered are hosting their second Alley Cat Race toooooonight. Find the lit-up landmarks, capture a glowstick and race back to The Handlebar to receive yo priiiiiiize.

Times: Pre-Party and registration/5PM – 7:00PM. Race starts at 7:30PM. Entire event lasts until 1:30AM.

Tickets: Pre-registration is $5. Day-of is $7.

Where: The Handlebar

Sunday, November 27th

//1//

The 10th Annual Baby Blues Showcase is returning to BB’s this weekend. Freshman acts like Rum Drum Ramblers, Marquise Knox, Elliot Sowell and more will be playing their souls aloud for ya.

Times: 6PM – midnight

Tickets: $15 or $10 if you bring three cans of food for Play it Forward

Where: BB’s

Chris Jordan takes portraits of America’s current ecological disasters and rabid consumerism. The picture above depicts the 320,000 light bulbs wasted each year in America. As part of The Aggregate Series, Jordan’s photographic exhibit, Running the Numbers will be on display until January 6th, 2012.

The Aggregate Series includes Amanda Pfister, members of Shooters Unlimited, and more.

Times: Noon – 4

Tickets: FREE

Where: St. Louis Artist’s Guild

This entry was written by Blair Stiles, posted on November 23, 2011 at 12:30 pm, filed under What's Going On and tagged 11/24 - 11/27, what's going on. Leave a comment or view the discussion at the permalink.

What’s Going On: 11/17 – 11/20

Yaaaaaaaaaaaaaaaaaaayyyyyyyyyyyy!!!!!!!!!!!!!!!!!!!!!!  :D I LOVE THE WEEKEND!

TODAY, Thursday, November 17th

//1//

It’s the last weekend for the 20th Annual St. Louis Film Festival. Theaters like The Tivoli, Plaza Frontenac Cinema, Wash U./Brown Hall Auditorium, Webster U./Winifred Moore Hall Auditorium, and others are playing the lastest independent movies for our eyes and ears to absorb. We recommend the St. Louis Filmakers Showcase tonight at Webster’s Moore Hall Auditorium.

Times: Show starts at 9:30 PM.

Tickets: Advanced tickets for sale at The Tivoli’s box office (5 – 10 PM M-F. 2 – 10 PM S-S.) You could also just show up and get ‘em!

Peruse these links to find full schedule for this weekend:

Main Venue Schedule

Special-Event Venues Schedule

Friday, November 18th

//1//

St. Louis’s The Urge will be playing The Pageant tonight and November 25th. We implore you to check out this show before it gets sold out.  The Urge are ska-core legends and are only reuniting for a finite amount of time.  Recording sessions were promised (and one new song has been released), but our hawk in the sky says this could be a no-go.  So, check them out while they are amped for action. Also, go back in time and check out Hugh Scott‘s September article on the band!

Times: Doors 7PM// Show 8PM

Tickets: $25 adv/ $27.50 dos

Opening Acts: Locals Brookroyal and The Gorge

//2//

She so darn cute! Look at that dang tiara! Oh, golly!

A little bird, not our night hawk we keep stationed at 11 Headquarters, told me “never sleep on VH1′.  While this little bird might have been an acid flashback, she certainly had great advice when Ximena Sarinana‘s colorful music video for “Different“ popped up one Saturday morning. A voice so sweet, it mimes the peculiar lightness of honey dew, Sarinana packs both earnesty and fun into her lyrics for an all-around pleasent experience.

Times: 9 PM

Tickets: $10 – $12

Where: Blueberry Hill

//3//

Scotty recommends the quintessential sounds of a “70s blacksploitation soundtrack” this evening. Kings Go Forth are a Milwaukee-bred band of musicians who’s Harlem horns and funk bring the fun to a docile night in St. Louis.

Times: Doors 8:30 PM/ Show 9:00 PM

Tickets: $15

Where: The Firebird

//4//

Ou Ou (that’s Where, where en francais for you non-francophiles), Mikey Wehling and Eric Hall are coming together for the release of their albums. This double-release show, as it is being dubbed, highlights these electron outfits in all their newly created glory.

Times: 11PM-12AM Mikey Wehling
10PM-10:50PM Ou Où
9PM-9:50PM Eric Hall

Tickets: $5

Where: Heavy Anchor

Saturday, November 19th

//1//

Money for Guns‘s  cigarette-stained vocals and woeful strumming is appeasing enough to quell a hangover and interesting enough to actively listen word-for-word.

Times: Show 8PM

Tickets: $5

Where: Jefferson Warehouse

//2//

My editor Tara and I brought you a review of their show at The Crack Fox a few weeks ago, and I highly recommend you take my sage advice to heart and check out Theodore live.

Time: 9 PM

Tickets: None!  ’cuz it’s free, boo!

Where: The Schlafly Tap Room

With who: Tone Rodent and Fred Friction

Sunday, November 20th

//1//

Don't you just wanna PLAY WITH IT?!

Well, I love the Ninja Turtles.  Okay, no…but really it’s my eternally six sister who loves cartoons and pizza eating reptiles.  And while I’ll pause for some Samuri Champloo and Domino’s, it’s really just the men the Ninja Turtles are named after that I love.  Speaking of those cats, I’d really like it if someone took me to go see the Leonardo DaVinci Machines Exhibit. It’s the first (and probably only) time these primitive versions of hang gliders (above), cars and bicycles will be in St. Louis.

Times: 10 AM – 6 PM daily

Tickets: $9 – $14

Where: 800 Market Street

//2//

Artwork from the album "Returning and Leaving".

I’ve officially began the Radiohead fandom part of my life’s journey. Kid A has secured its place in my Top 5 Albums and I stand by the fact that under its hypnosis, I can write a badass paper on Manifest Destiny. Lest I digress, it’s easy to see how my aural aesthetics may have changed course these past month’s. Already a fan of the experimental jams of Adult Fur, Eleven urges you to consider Ra Cailum. Their seriously beautiful ambiance is perfect for an afternoon slow dance. Thank goodness they’re in town today.

Times: 7:30 PM

Tickets: $7

Where: Cicero’s

Opening Acts: Corpse Pose, US English and Bloody Knives

This entry was written by Blair Stiles, posted on November 18, 2011 at 11:14 am, filed under The ReWrite, What's Going On and tagged 11/17 - 11/20, what's going on. Leave a comment or view the discussion at the permalink.