Q+A: Cartwheel

Cartwheel rolls like a group of recently grown up kids on a fresh summer day. It’s not that their sound is anything else less than mature – Cartwheel just has that exuberant pop rock vibe to which it’s hard not to reminiscence. Eleven writer Matt Stuttler caught up with Cartwheel’s Rachel Bowdon (RB, vocals/Wurlitzer), Jason Kozemczak (JK, guitar/vocals), John Hill (JH, bass), and Kyle Collman (KC, drums). Read the interview below!

Catch them on Saturday, with Adult Fur and Michael Franco at Off Broadway.

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This entry was written by Tara, posted on January 23, 2012 at 1:51 pm, filed under Interview, Local Profile, Q+A and tagged adult fur, Cartwheel, David Beeman, Kit Hamon, Matt Stuttler, Michael Franco, Native Sound, Off Broadway, pop. Leave a comment or view the discussion at the permalink.

New Release: “Pretty Girls” by Née

Today, local electronic pop favorite Née releases new single “Pretty Girls.” How fitting (see frontwoman Kristin Dennis, above).

“Pretty Girls” is the single from Née’s forthcoming EP – and a new direction from Dennis’ last EP, The Hands of Thieves. Perhaps it’s the Robyn influence. Perhaps its the involvement of Dennis’ band, which includes drummer Mic Boshans, multi-instrumentalist David Beeman, and synther Lex Herbert. Whereas Hands was dominated by Dennis’ higher vocal register and straightforward organ/synth riffs punctuated by electronic drum pad kicks, “Pretty Girls” is a faster, more bass-driven, multi-layered track. You’ve still got Née’s signature vox – a rare gem nuanced by both a haunting melancholy and an undeniable stimulus to your dance reflexes.

“Unlike the last EP, we’re doing everything on analogue, vintage gear,” says Dennis in a note to Eleven. “Although by definition synthesizers are inorganic, the way the sounds are coming through into the new songs feels much warmer and, well, organic than the last EP. There’s that ever-present hint of white noise, electricity, and the accumulated particulates of age that provide a backdrop for the melodies.”

We at Eleven are feeling the electricity. You can, too, here:

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Track: “Pretty Girls,” by Née
Recorded: at Native Sound by David Beeman and Kristin Dennis
Mixed: at Native Sound by David Beeman and Kit Hamon
Available: In CD form with screen printed artwork (Dennis at Native Prints) and a BONUS remix by Adult Fur ($2) will at the Mud House, Apop, Foam, and The Royale, among other local spots. Streaming and downloadable ($1) from neemusic.bandcamp.com.
Favorite line: “The heat of blood created chemistries to bond the two of us.” Yum. Science. Made sexy. OR: “You know I probably broke a hundred hearts by now.” True words.

This entry was written by Tara, posted on January 19, 2012 at 2:29 pm, filed under New Music and tagged adult fur, David Beeman, Kristin Dennis, Lex Herbert, Mic Boshans, Native Sound, Née. Leave a comment or view the discussion at the permalink.

Review: Theodore and Adult Fur at the Crack Fox 10/13/11

Review by Blair Stiles
Photography by Tara Pham

Sometimes ironic conflation, the combination of two sonically different forces, or two things that just don’t make sense together… winds up working. PB&J, ethereal whale sounds travelling through dense oceans, Gary Busey and Keanu Reeves in Point Break – all things that are inherently different but somehow come together perfectly. Harmony, people.

The juxtaposition of Adult Fur with Theodore at the Crack Fox last night was a puzzling one.

Plagued by a broken projector (and performing essentially in the dark – thus no photos), Adult Fur’s performance lacked the “show” necessary to give non-instrumentalist electronic music needs to pull off live performance to an audience. With white sheets hung up with black yarn in place of his planned women in white dresses, Ryan McNeely’s set felt like one of those “skinny” menu options. Still tasty, still interesting, but not enough to placate one’s hunger for something substantial.

If the projector hadn’t broken, if his back-up ladies had shown up, and if The Last Unicorn would have been playing on those blank white sheets to accompany Adult Fur’s set (a combination of Adult Fur and ii), undoubtedly the show would have come together. Both Adult Fur and ii are great albums, but rendered without any sort of manual performance, they fail to achieve enigma or art – key elements to live electronic music. And it begets the question: What could McNeely do if he set out to create a performance that comfortably combined the aural and visual? Is there a possibility for a performance art piece or an installation that would move a crowd? Those are things for the man at the helm of Adult Fur to mull over.

In contrast, Theodore took 20 minutes to set their stage up. The stage included just them, their instruments and their amps, and they proceeded to throw comfortable confidence and bravado at the audience with an opening Americana-cized “Ave Maria.” Before one verse was over, everyone in the place was silenced and at full attention. Sadly, this captivation is a rare feat for a local band in St. Louis, but Theodore is one that does not disappoint.

Theodore delivers a HUGE performance. Even the lead singer’s unbuttoned flannel became symbolic of the band’s comfort on stage. Theodore is a band talented enough to make the audience care. If you peered into the clusters of Crack Fox patrons, mostly affable, bike-riding, hash-smoking hipster-types and spritely but grubby looking, late-twenty- and early-thirty-something, eternally youthful romancers of wanderlust… you would have seen the majority craning their necks around one another to see and stamping their feet along with Theodore’s music.

Theodore’s music was well-constructed (and even their cover of Harry Nilson’s cover of “Save the Last Dance For Me” was nothing short of gorgeous. I can still hear that chorus), their performance enigmatic, nuanced, and irreverent. Theodore played like they owed it, to make the audience feel something. Singer Justin Kinkel-Schuster has a raspy howl that is emotional enough to help make sense of it all and feral enough to glide gracefully over the band’s enormous instrumental prowess. They could command a much larger venue, and I look forward to the day they hypnotize venues of 500+ audiences hanging on every note.

Which brings me back to this notion of the juxtaposition. Adult Fur and Theodore are two completely different acts: one deserving of space at The Pulitzer to provide the soundtrack for the night, and the other inching toward the marquee of The Pageant. Separately they are wonderful. Together, they fell flat.

If you’re interested in checking more from Justin Kinkel-Schuster, see him in Phantom Limb at the Billiken Club tomorrow, October 15th, opening for The Felice Brothers and Gill Landry of Old Crow Medicine Show. Eleven contributor Jarred Gastreich has put together a Show-Me Show of Phantom Limb, here:

Phantom Limb – $100 (A Show Me Show) from Jarred Gastreich on Vimeo.

This entry was written by Blair Stiles, posted on October 14, 2011 at 4:41 pm, filed under Live, Photo Gallery, Review and tagged adult fur, Crack Fox, review, Theodore. Leave a comment or view the discussion at the permalink.

Preview: Adult Fur and Theodore at the Crack Fox 10/13/2011

It’s Adult Fur’s new ‘Space Music’ video from Civil Ape on Vimeo!

//TONIGHT//

The name “The Crack Fox” should mean two things to you: a freaking hilarious Mighty Boosh sketch and a super cool dive bar on Olive downtown that appears to be fond of the color palette of Satan.

It’s FREE – be there!

This entry was written by Blair Stiles, posted on October 13, 2011 at 10:00 am, filed under Live, Upcoming, Video, What's Going On and tagged adult fur, preview, The Crack Fox, Theodore. Leave a comment or view the discussion at the permalink.